Step one: roots only
Choose a simple melody using C, F and G harmony. Do not play full chords yet; press one bass note only when the harmony changes.
Hold the root while the right hand plays several melody notes. This develops independence with minimal left-hand information.
Step two: add fifths
The fifth of C is G, of F is C, and of G is D. Root-and-fifth shapes omit the third, so they sound stable and avoid major/minor confusion.
Play both notes together or alternate low root then high fifth.
Step three: use a 1–5–3–5 pattern
In C major, 1–5–3–5 is C–G–E–G. Keep a stable shape and loop slowly until you no longer search for every note.
Practise the left hand alone eight times, then combine it with a right-hand phrase of two to four notes.
Do not combine from the beginning
- 1
Play two right-hand notes
- 2
Add one left-hand root
- 3
Confirm where both hands start together
- 4
Loop the same two-second fragment
- 5
Add the next group after three successes
Frequently asked questions
Should I keep looking at the left hand?
At first yes, but use black-key landmarks and stable shapes to reduce visual switching.